Camilla Läckberg
 

It’s always been my life’s dream to write detective novels. It first came true in 2003 when my first book The Ice Princess was published in Sweden and now, my seventh book, The Lighthouse Keeper has reached the shelves in Sweden at the same time as the rights to my books have been sold to over 30 countries worldwide. Here on my website you can find out about me, my books, and Fjällbacka, the place where I grew up and the scene of all my murders. Most of the characters in my books are fictional, but some are real people living in the area, and I’ll be telling you more about them in these pages. Happy reading! Camilla Läckberg

Camilla’s books are set in Fjällbacka, the coastal village where Camilla was born and raised. In northern Bohuslän, about 140 km north of Göteborg, lies the little community of Fjällbacka. Already a fishing village in the 17th century, Fjällbacka is now an idyll that’s steeped in history. Its name derives from the imposing rocky outcrop that the village encircles. Thousands of tourists visit Fjällbacka in the summer. For the rest of the year, there’s about 1,000 permanent residents. Fjällbacka might be small, but there are still hotels, cafés and shops. The best way to get to Fjällbacka without a car is by train to Uddevalla. You can also take a train to Dingle and from there take a bus to Fjällbacka, or alternatively fly to Trollhättan and make your way from there.

Crime-writers’ school – the seven steps I get lots of questions about my writing, many of them asking for advice. Unfortunately there are no miracle tips I can give. The most important thing is to make sure that you sit down and start writing, not that each sentence is perfectly composed. A wise person once said that writing is 1% inspiration and 99% perspiration, and I can personally vouch for the truth of that! So don’t get in a stew over how the words fall – just make sure THAT they fall. Let the words just flow. In other words: write, write, write! Here, I’d like to present my own seven-part crime-writers’ school. Each part contains tips and exercises as well as some pointers for books that you might find inspiring. Good luck!

Please address all queries about Camilla Läckberg and her books to Nordin Agency for further assistance. E-mail: info@nordinagency.se Phone: +46-8-571 685 25 Address: Nordin Agency, P.O. Box 4244, 203 13 Malmö, Sweden For questions regarding sponsoring and press, please contact Christina Saliba at Weber Shandwick. E-mail: christina.saliba@webershandwick.se Phone: +46-70-341 46 54. For more information in Swedish about Camilla Läckberg please visit Camilla's Swedish website: www.camillalackberg.se .

I'm on YouTube!

6/16/2010 11:50:00 AM, 9 comment(s)

If you want to get to know me a little bit better, check out the link below. It's an interview with yours truly, courtesy of my English publishing house HarperCollins.

http://www.youtube.com/watch?v=UC2QeyklgTc&feature=related

Hope you enjoy it :-)


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Comments (9)
The Saci (pronounced [saˈsi]) is arguably the most popular character in Brazilian folklore. He is a one-legged black or mulatto youngster with holes in the palms of his hands, who smokes a pipe and wears a magical red cap that enables him to disappear and reappear wherever he wishes (usually in the middle of a dust devil). Considered an annoying prankster in most parts of Brazil, and a potentially dangerous and malicious creature in others, he will nevertheless grant wishes to anyone who manages to trap him or steal his magic cap. However his cap is often depicted as having a bad smell, most people who claimed to have stolen this cap often say they can never wash the smell away.

There are several variants of the myth, including:

Saci-pererê. black as coal.
Saci-trique. mulatto and more benign.
Saci-saçurá, with red eyes.
Saci-pererê is also the name of a Brazilian cocktail consisting of 1/4 cup of cachaça and 3 tablespoons of honey, which is said to be good for the common cold.
The Saci (pronounced [saˈsi]) is arguably the most popular character in Brazilian folklore. He is a one-legged black or mulatto youngster with holes in the palms of his hands, who smokes a pipe and wears a magical red cap that enables him to disappear and reappear wherever he wishes (usually in the middle of a dust devil). Considered an annoying prankster in most parts of Brazil, and a potentially dangerous and malicious creature in others, he will nevertheless grant wishes to anyone who manages to trap him or steal his magic cap. However his cap is often depicted as having a bad smell, most people who claimed to have stolen this cap often say they can never wash the smell away.

There are several variants of the myth, including:

Saci-pererê. black as coal.
Saci-trique. mulatto and more benign.
Saci-saçurá, with red eyes.
Saci-pererê is also the name of a Brazilian cocktail consisting of 1/4 cup of cachaça and 3 tablespoons of honey, which is said to be good for the common cold.
saci, 8/18/2010 11:19:26 AM
Baywatch is an American action drama series about the Los Angeles County Lifeguards who patrol the beaches of Los Angeles County, California starring David Hasselhoff.[1] The show ran from 1989 to 1999 (and 1999-2001 as Baywatch Hawaii). According to the Guinness Book of World Records, Baywatch is the most watched TV show in the world of all time, with over 1.1 billion viewers a week.[2
Fjallbacka Watch, 8/18/2010 3:34:48 PM

Have you ever watched the grout of your mosaic seemingly shrink before your eyes as it hardens? Arrrrg! The grout lines are no longer flush with the tesserae and tiny pinholes mysteriously appear. Now what?

As the grout sets and hardens, you may notice grout shrinkage (i.e., the grout lines are like little valleys where the grout sinks and isn’t flush with the tesserae). This used to happen to me a lot when I mixed the grout too runny. However, since using thick, pasty grout, I’ve experienced much less grout shrinkage. Don’t fret! It’s an easy fix. Simply re grout the mosaic. It’s a lot easier the second time, especially when using thick, pasty grout.

grout, 8/19/2010 7:10:04 AM
J'avais bien aimé La Princesse des Glaces, mais j'avais trouvé Le Prédicateur meilleur. Et bien là c'est encore un cran au dessus. Enfin, je trouve...
J'ai vraiment adoré!
J'avais hâte de retrouver Patrik et Erica, de savoir comment ils s'en sortaient dans leur "nouvelle vie" de parents, d'avoir des nouvelles d'Anna... Et je n'ai pas été déçue, vivement la suite...

L'intrigue est bien ficelée, le rythme est parfait, certains personnages sont vraiment détestables, d'autres touchants.
J'ai beaucoup aimé les deux histoires en parallèle, l'une au présent, l'autre au passé.
Que dire de plus? Lisez-le, pour moi c'est un gros gros coup de coeur!


La Princess des Glaces, 8/21/2010 8:39:40 AM
— Bye Bébé. Sois gentil avec ta maman, je serai bientôt de retour.
Il posa une bise rapide sur la joue de sa compagne et partit. Avec un soupir, Erica s’extirpa du lit et enfila l’une des tentes qui lui faisaient office de vêtements. Très bêtement, elle avait lu quantité de livres sur la grossesse et, à son avis, tous les auteurs qui en décrivaient les joies devraient être traînés sur la place publique et roués de coups. Insomnies, articulations douloureuses, carences, hémorroïdes, transpiration et toutes sortes de dérèglements hormonaux étaient plus près de la réalité. Et ce feu intérieur qui était censé l’illuminer, elle n’en avait certainement pas ressenti la moindre foutue flamme. En grommelant, elle descendit lentement l’escalier pour avaler la première tasse de café de la journée.
Lorsque Patrik arriva, l’activité battait son plein. L’entrée de la brèche du Roi avait été fermée par des rubans jaunes et il compta trois voitures de police et une ambulance. Le person¬nel technique d’Uddevalla avait déjà commencé son travail et Patrik était suffisamment avisé pour ne pas pénétrer sur le lieu du crime avec ses gros sabots. Ça, c’était l’erreur des débutants, ce qui n’empêchait pas son chef, le commissaire Mellberg, de se balader parmi les techniciens. Du désespoir plein les yeux, ceux-ci regardaient ses chaussures et ses vête¬ments déposer des milliers de fibres et de particules sur leur lieu de travail si fragile. Lorsque Patrik s’arrêta devant le ruban et fit signe à Mellberg, celui-ci leva le camp, à leur grand sou¬lagement, et passa de l’autre côté du barrage.
— Salut Hedström.
Erica, 8/21/2010 10:59:10 PM
Thank you very much for responding to our emergency appeal for this terrible tragedy. Your support is very much appreciated and we will ensure your donation is used where it is most needed to relieve the suffering of earthquake survivors. We will keep you updated on both the short term relief effort and longer term restructuring work being undertaken, as soon as possible. Thank you.

Camilla Helped Mongolian Earthquake, 9/4/2010 9:09:10 AM
Great vid,
It used to be fathers library, then a study, now all you've got is a poxy bookshelf what next........?
cam, 9/4/2010 9:19:40 AM
Margaret Tarrant's FairiesMargaret Winifred Tarrant (1888-1959), artist and illustrator, was born on 19 August 1888 in London.

Encouraged by her father, the artist Percy Tarrant, she excelled at drawing and painting from an early age and whilst attending Clapham High School won several awards which encouraged her to become an art teacher. However, she decided that teaching was not for her and, after discussion with her father, became a full-time artist and illustrator.

In 1907 the family moved to Gomshall, in Surrey, and in 1908 at the age of 19 she undertook her first commission, to illustrate Charles Kingsley's The Water Babies for J M Dent and Sons. Other commissions followed, including Alice in Wonderland (1916), Hans Anderson (1917) and Nursery Rhymes (1914 and 1923) for Ward Lock & Co., and two sets of postcards for the Oxford University Press. She also illustrated some 20 books for George G Harrap between 1915 and 1929. Always concerned with improving her techniques, she attended several courses at Heatherley's Art School during this period.

In 1920 she began working regularly for the Medici Society, a long and fruitful association, with Margaret being made a shareholder in the company in 1938. During the 1920s she illustrated a highly successful series of fairy books for the company.

During the 1930s Margaret moved to Peaslake in Surrey and she soon became a well-known figure in the community there. Although she never married, Margaret made many loyal and long-lasting friends, both through her painting and her membership of the local church. Her friends described her as full of energy, travelling around the area on an ancient bicycle to save petrol, despite not always being in the best of health herself. Many neighbours were used as models for her pictures. She was well known for her love of animals and for her formidable cat companion, Bobby.

Although her paintings and illustrations were often of fairies or religious subjects, she believed fervently in sketching from life. Many of her paintings were bordered with leaves and flowers characteristic of the Arts and Crafts movement and the Art Nouveau style which she much admired. Her true love lay in painting wild flowers of which she had an extensive knowledge, and she considered the illustrations for a series of wild flower postcards published by the Medici Society between 1937-1952 to be among her best works.

Margaret's Christian faith was important to her, and in 1936 the Medici Society financed a six week trip to Palestine to inspire her work. Part of her illustrated diary from this trip was published as A Journey to the Holy Land (1988)

During the early 1950s her eyesight began to deteriorate, a source of great frustration to her. Her health in general was not so good although she still made the effort to go into the countryside and sketch from life whenever she could.

She died on 28 July 1959, leaving some pictures to friends and the rest of her estate to 12 charities. Her work is still popular and much of it remains in print as greeting cards, postcards and prints.

The Margaret Tarrant collection is one of the most extensive held in the archive. Margaret Tarrant's illustrations date from the 1920's, reflecting the enchanting and magical world of fairies, flowers and young children. These delightful, whimsical sketches and watercolour illustrations established Margaret Tarrant as a major talent in one of the great periods of children's illustration.

Indeed, her world of fairies and flowers have been delighting generations of children and adults ever since the first illustrations appeared in the "Fairies and Flowers" series of books, specially commissioned by Medici in the early 1920's. In April 2002, Medici re-published six Fairy books for the first time in 80 years.

Today, Margaret Tarrant is appreciated by connoisseurs and collectors worldwide. The enduring, nostalgic qualities of her designs have a charm and elegance that still delight young and old.
OTT, 9/4/2010 10:18:29 AM
Camilla darlink, try to avoid sentences like: 'he tried to break the silence,' in Preacher. This almost generic-not quite-make every sentence shine like a beautiful piece of polished wood washed up on Fjallbacka's coast. I have seen many a good writer go down the pan by using sport-idioms or every day speech.Try not to listen to pop music or watch reality TV use thesaurii as much as you can; increase peoples vocabulary don't pander to a lowest common denominator, nobody will thank you.......
pander, 9/4/2010 1:53:55 PM